I know we are all weary with our current SIP situation, for many reasons. Scientists say a key to happiness is having something to look forward to, the sheer number of positive emotions we experience relative to negative emotions affects how happy we are generally; for that reason, excitement about future events can be a great source of positive emotions. Studies show that positive anticipation can bring us as much or more pleasure than the actual event itself.
Some of our clients are venturing out close to home to drivable resorts with individual bungalows and alfresco dining. One adorable young couple arrived at their destination where we had them upgraded and quickly extended for an entire week!
Paris, always an enticement, is hosting another what will be a blockbuster exhibition at the Fondation Louis Vuitton. The exhibition of the Morozov Collection, which was initially scheduled to open on October 14, 2020, has been successfully postponed and will take place from February 24 to July 25, 2021. Following the exhibition “Icons of Modern Art. The Shchukin Collection” at the Fondation Louis Vuitton in 2016/2017, “Icons of Modern Art. The Morozov Collection” will be another major historical moment dedicated to key early 20th century Russian collectors. I spent three enchanting hours absorbing the Schukin Collection, several clients visited after my blog posting, and we were able to organize private visits pre-opening hours for a small group.
From Russia With Love: The Fondation Louis Vuitton, Paris, the State Hermitage, the State Pushkin Museum of Fine Arts and the State Tretyakov Gallery have joined together with a forthcoming exhibition of masterpieces of early 20th-century Russian and French art from the collection of the outstanding Moscow philanthropists and collectors Mikhail and Ivan Morozov.
The exhibition, which will be shown for five months, will take over the entire galleries of the Fondation, and will present the masterpieces from the Collection of the brothers Mikhaïl Abramovitch Morozov (1870-1903) and Ivan Abramovitch Morozov (1871-1921), the great early 20th century Moscovite patrons and collectors who put together one of the most exceptional collections of French modern art (Matisse, Bonnard, Picasso, Gauguin, Van Gogh, Degas, Monet, Renoir, Maurice Denis, Cézanne…) and Russian modern art (Vroubel, Chagall, Malevitch, Repine, Larionov, Serov…). Exercising more restraint than Shchukin, the Morozov brothers were highly selective and preferred not to buy in bulk, only purchasing a few of the highest quality artworks on bi-annual trips to Paris. Also devoted to modern French art, Ivan Morozov kept his collection private, allowing only his close family and friends to enjoy the selection. Despite this determined privacy, his will confirmed his intention to release the entire collection to the state after his death. Discovering the joy French art in 1903, Morozov’s life as a collector began with purchasing the work of young 19th century Russian painters. On his first trip to Paris, Morozov acquired a winter landscape by Alfred Sisley and later returned to purchase another. His passion for the Impressionist and Neo-Impressionist artists quickly expanded beyond Sisley to include works by Monet, Pierre-Auguste Renoir and Camille Pissarro. Later, Morozov fell in love with many paintings by Paul Signac, Pierre Bonnard, Matisse, Éduoard Vuillard and Picasso, but it was Cézanne that remained his most favored artist. Morozov’s extensive and beautiful collection of 17 works by Cézanne, showcasing an excellent chronology of Cézanne’s Impressionist and Post-Impressionist career, is undeniably one of the highlights of his entire collection.
In the early 1900s, the Morozov and Shchukin families played a key role in Moscow’s cultural life. It was thanks to their activities that the concept of a “patron of art” appeared. They directly furthered international recognition for contemporary French artists. The collections of contemporary artworks formed by the Morozov brothers and Shchukin are among the finest in the world and are today housed in the museums of Moscow and St Petersburg. The exceptional collection of iconic works of French Impressionism, Post-Impressionism and Modernism along with works by artists of the Russian avant-garde will form a unique display unparalleled previously in Paris.
Having spent 1.5 million Francs on French art in eleven years, Ivan Morozov was the proud owner of 278 paintings and 23 sculptures as well as the circa 300 Russian works he also cherished. He spent more on his collection than any other art collector during this period and the relative value of his collection today is almost unfathomable.
The exhibition is organized thanks to the remarkable collaboration of the Russian museums – The State Hermitage Museum, the Pushkin Museum of Fine Arts and the Tretyakov State Gallery and will be an exceptional artistic event in Paris and the first time that the Collection is being presented outside of Russia.
A beautiful collection of French and Russian modern art gathered in the early 20th century including many paintings of great masters first exhibited in the summer 2019 at the State Hermitage Museum in Saint-Petersburg before coming to Paris. All in all, about a hundred works and other impressionist and modernist paintings are said to travel to the Fondation Louis Vuitton for a unique display in the heart of the museum.
This stunning upcoming exhibition marks a new step in the cultural friendship between France and Russia, continuing an institutional partnership started in 2015 by the Fondation Louis Vuitton with the State Hermitage Museum in Saint-Petersburg, the Pushkin Museum and the State Tretyakov Gallery in Moscow. Out of this partnership were born several exhibitions, “Les Clefs d’une passion” in 2015 and even “Icônes de l’art moderne. La collection Chtchoukine” in 2016.
Save the date, fingers crossed we will be able to travel again with confidence. Reserve soon, we are Preferred Partners, Diamond Club Members and Stellar Partners with all of our favorite hotels! Date of exhibit February 24 to July 25, 2021.
“Traveling – it leaves you speechless, then turns you into a storyteller,” Ibn Battuta.
Will you ever forget grade school geography books with shiny color prints of the pyramids? Stimulating dreams of exotic societies, pondering feats of impressive engineering and the mysteries surrounding the ancient people who built them for the Egyptian pharaohs who expected to become gods in the afterlife.
My recent Journey to Jordan and Egypt left me wanting to explore more – typically, my introductory visits provide an overview, an outline to curate the picture-perfect Journey for our clients. I’m encouraging our clients to visit, I intend to be the evangelist for Egypt and Jordan!
There were several resonating themes: both countries are safe for Americans, I was welcomed by everyone and invited to pose in photos with locals – tall blondes are infrequent! The food is delectable and very healthy; I will never again eat pita bread in the U.S., equivalent to cardboard after snacking on hot from an oven pita bread used to scoop up an abundant assortment of garden-fresh mezzes. Transportation is best left to the professionals; however, it is a mesmerizing neck turning adventure. How one becomes accustomed to standing along the side of a busy roadway with children to catch a crowded group taxi van is still a mystery to me. Farmers piloting donkey carts overloaded with the most beautiful enormous vegetables and fruit come to the cities at dawn, in the mix of traffic, it’s a stunning fusion of moving vehicles, flowing and weaving.
And of course, the entrée – the history, the pyramids and the sphinx, and the ancient burial tombs in the midst of twenty first century life. The perfect Cairo introduction – mosey to Mena House for lunch on the terrace – the Pyramids of the Giza Plateau, sometimes referred to as the Giza Necropolis are mere feet away, looming over lunch, breathtaking! The bases of the three Pyramids of Giza together cover more than a million square feet, roughly nine midtown Manhattan blocks, sip and snack and absorb the energy of the mightiest Pharaohs – Cheops, Chephren, and Mycerinus. The Great Pyramid of Giza remained the tallest man-made structure in the world for 3,800 years. A short drive away, gaze at the Great Sphinx at the Giza plateau. An afternoon wandering here mingled with camels to hire, tourists, vendors – a riot of movement and local life.
We can reserve private evenings and private dinners in front of the Pyramids, one very fortunate client enjoyed this iconic experience years ago. Also at the Manial Palace in the Golden Room in Cairo, the Citadel and a Private lunch/Sunset Champagne on a felucca on the Nile in Cairo.
The new Cairo Museum, the Grand Egyptian Museum at Giza opens in October and is an anticipated smash. We enjoyed a visit to the current, but very old museum, The Museum of Egyptian Antiquities, a historic building bursting with an extensive collection of antiquities, in original wood and glass display cases, massive stone statues and coffins draw your eye across from the entrance. Our expert guide, Haytham, steered our path sharing his excitement for the finest pieces; his mother was a history teacher and it was abundantly clear her schooling was ingrained in his passion for Egyptian history. Much to learn and captivate, we absorbed the most significant pieces before the crowds.
A few days in and around Cairo should include a visit to Memphis, just south of Giza on the west bank of the Nile. The capital of Ancient Egypt with ruins including an enormous statue of Rameses II, the 30-foot-long limestone carved statue is on its back due to deterioration, wearing the white crown of Upper Egypt, it is a stunning flawless exhibit in an outdoor museum. A second sphinx is also here in this small compound. Nearby are the famed Dahshur pyramids, the southernmost end of the pyramid areas that begin at Giza. These transitional pyramids provide a first look at the engineering process, not as refined as Giza, but provide an initial look at how the construction of the angles took shape and evolved in Giza.
Hotels – arrive to the Colorful Chaos of Cairo and you have two choices of Four Seasons Hotels, I recommend a stay at both as they are equally enchanting – you will return to Cairo before departing home, so begin at Four Seasons Nile Plaza with a balcony suite overlooking the Nile – sunset view from your terrace is spectacular. A brilliant welcome before setting out to discover the sites, exceptional dining and a beautiful spa. Stay a night or two then with the new museum opening, Mena House at Giza is the perfect next step.
Egypt is brimming with energy, acclimate before you begin the frenetic pharaoh program! Following your awe-inspiring Egyptian Journey, move across the Nile River and enjoy a few nights at The Four Seasons Hotel at the First Residence. An oasis in this never sleeping city, the pool is a quiet spot for lunch and basking in afternoon sun – save some Cairo touring for the last few days in Egypt – visit the Mosques, the 12th Century Citadel, the bazaar and the art galleries. Late night flight home deserves several hours in the decadent spa, massages once reserved for Egyptian royalty, it’s the perfect post Journey finale! Flanked by the zoo and the western bank of the Nile, with views of the pyramids and the river.
Exploration: Old Cairo including the Coptic Museum and the Hanging Church. Lunch at the charming Riad Boutique Hotel, savor authentic dining with a dazzling dance spectacle. The roof top location offers a bird’s eye view of the teeming streets below and a fascinating look at ancient rooftops. The streets are animated and buzzing, still a popular and lively neighborhood. Most traffic is banned, but scooters vie with carts for space in the narrow-cobbled streets. Vendors offer their ware, fruit stands weigh produce on ancient scales, women in hijabs sitting along the curb offer fresh citrus delivered every morning by farmers.
The Journey of Egypt. Quick early flight to Aswan, my personal suggestion, pre-boarding your boat for cruising the Nile, stay at The Old Cataract Hotel. The gates of Egypt open in Aswan, the hotel was built in 1899 by Thomas Cook to host European travelers. Relive the tale in this 19th century Victorian Palace, 5-star luxury on the banks of the Nile. This historic property has hosted Agatha Christie, Winston Churchill, Margaret Thatcher, U.S. President Jimmy Carter and Queen Noor.
Rising grandly from a pink granite shelf at the edge of the Nubian Desert with views of Elephantine Island, this sophisticated property blends Pharaonic treasures with fine French art. The interiors in the historic Palace will take your breath away, a legendary reminder of travelling in another time, another era. A realm of Moorish arches, ruby red chandeliers, plush Persian carpets, comfy armchairs and hand-carved furnishings. It’s grand, it’s swell. After an afternoon visit to Philae Island, mosey to the terrace for a hibiscus tea or a proper sunset cocktail overlooking the Nile.
There are numerous Aswan sites to leisurely absorb: Khnum Temple, Elephantine Island and Aswan Museum before you board and sail to Kom Ombo. The Temple of Kom Ombo is an unusual double temple in the town of Kom Ombo in Aswan Governorate, Upper Egypt. Standing on a promontory at a bend in the Nile, ancient temples from the Middle Kingdom are tucked into the sand banks, just past the greenery, the desert sands creep to the river bank. In ancient times, sacred crocodiles basked in the sun on the river bank, the temple is unique because it is in fact, a double temple, dedicated to Sobek the crocodile god, and Horus the falcon. You will see wall reliefs of Cleopatra, with her brother-husband and co-ruler Ptolemy VIII. The path out of the complex leads to the Crocodile Museum which has a stunning collection of mummified crocodiles and ancient reliefs.
One of my favorite experiences was in Aswan, I insisted on visiting the Old Cataract Hotel for sunset and a proper cocktail. My guide, Haytham, negotiated with a horse and buggy driver to deliver me to the hotel and wait while I enjoyed the sunset. The driver was a little grizzly in appearance in his long slightly soiled gallibaya, an overcoat, a loosely draped scarf and wrapped turban. Egyptians tend to shout at each other, no menace involved, an unnerving situation when you don’t understand the language. Negotiations ensued, Haytham, protecting me, took a photo of the buggy drivers’ license, made sure his cell phone worked, took his number, negotiated a firm rate and shouted some more. I assumed the driver would lose body parts if he misled or left me stranded. The pony cart took off at a fast clip, horse hooves smacking the pavement and the driver not sparing his whip. I asked him not to hit the horse, he replied you need to come sit in front, it’s better for the horse. Pointing to my new knee, I said I would not be clambering over the seat to ride front and center. A pell-mell pace ensued to the Old Cataract Hotel, it was a breathtaking adventure on my own! The hotel didn’t disappoint, a setting sun over the Nile and a perfect Rye Manhattan, I wandered the property and was elated to see my grizzled old driver waiting for me at the curb. He asked if I wanted to stop for additional sightseeing, his English was fine – I mentioned my guide would be looking for me to arrive back at the boat – he exclaimed: Oh my God, your guide, he is crazy! I explained that my guide pretty much owned me during my visit and was responsible for my safety and well being. It was a most excellent escapade and on a future visit, I will enjoy more of these experiences! Meeting locals, enjoying typical experiences adds layers to my travel, it’s the best! Donkey cart with vegetables, next time!
Rise early and get comfy on the sundeck of your boat as you will witness men and boys along the Nile as a pictorial of ancient life, the views were mesmerizingly Biblical. Early morning farmers in long robes, scarf and turbans making their way down steep stone steps toting a bundle of just harvested green alfalfa for their livestock, mostly white donkeys and cows. Men gathered on old wooden benches quietly observing dawn, I imagined they were plotting their day. Small boats with bedsheet type sails stick close to shore, guiding the tiller with a foot thrust off the stern of the almost submerged boats. A panorama of landscapes remind you the area was described as the Bread Basket of the world, the fertile Nile banks overflow with tidy golden fields, swaying palms, sugar cane and wheat. Solitary cows, herds of goats, horses staked to a post for all day grazing – boys and men go about their morning rituals in a quiet dawn mist.
Sail on to the Temple of Horus at Edfu on the West bank of the Nile. Egyptians associated death with the west and buried their pharaohs on the Nile’s west bank. It was one of my favorite visits, as it is extremely well preserved, taking over 180 years to complete. Two large statues of Horus carved from a single block of granite from Aswan guard the entrance. The monumental entrance is a gate flanked by two massive flat embossed towers, the door was originally two large Lebanese cedar doors. Inside, 32 massive columns flank the first hall. The hall’s ceiling is adorned with astronomical imagery. At all the temples and tombs, the walls are covered in reliefs and etchings, hieroglyphics, symbols and figures, each telling a story. Many maintain their original bright hues, some tarnished by centuries of erosion, weather and people.
Inside, multiple well-preserved rooms and chambers can be explored. The most important is the sanctuary, the most sacred and significant area of the temple. It contained the sacred barks of Horus and Hathor, used in processions, as well as the permanent shrine for the sacred image of the god which was likely a wooden falcon statue. The shrine, made of black granite, is located at the rear of the sanctuary and is one of the few remnants of an older temple of Horus.
The Ancient Egyptians were obsessed with their belief in the afterlife, life after death. The pharaoh tombs and pyramids were built for the rulers. Important Egyptians were mummified, to preserve and be spared from excessive decay. The Egyptians provided the deceased with everything they would need for their Journey including valuable treasures.
According to legend, Anibus, the Egyptian god of the dead, invented mummification. Egyptian Gods and Goddesses – religion was a way to explain and understand the workings of nature. They believed that gods controlled things like floods, rains, sickness and death. There was a god for each aspect of life, so Egyptians tried to please each of their gods and goddesses. Horus was god of the sky and one of the most important symbols of Egyptian power, with a man’s body and a falcon’s head. Horus represented resurrection and eternal life.
Sail to Esna. Chapter Two.
(Egypt) is a great place for contrasts: splendid things gleam in the dust.” ― Gustave Flaubert, quote from Flaubert in Egypt: A Sensibility on Tour