Summer Epic Events Rome and Paris – Exclusive Encounters

Rome this summer, 500,00 Pilgrims descending for the 2025 Jubilee. Also, in Rome the long awaited for Caravaggio exhibition showcasing 24 masterpieces including some rarely seen works and recently rediscovered pieces. Located at the National Gallery of Ancient Art Palazzo Barberini, explores Caravaggio’s career and influence on religion, society and art. Caravaggio, known as Baroque’s Bad Boy, is drawing in art lovers, more than 600,000 tickets have been sold to the exhibition which closes July 6.

Paris Fondation Louis Vuitton which is known for its blockbuster events doesn’t disappoint this summer either. David Hockney, one of the most influential artists of the 20th and 21st centuries, has been invited to take over the entire building for an exhibition that is exceptional in its scale and its originality. 

Our VIP three-hour Private Access led by the Curator of the exhibition solves the crowd problem. And yes, we have clients attending privately.

David Hockney 25, opened in April and closes on August 31, 2025, brings together more than 400 of his works (from 1955 to 2025) including paintings from international, institutional, and private collections, as well as works from the artist’s own studio. Foundation David Hockney has been personally involved in every aspect of the exhibition and has, together with his partner and studio manager Jean-Pierre Gonçalves de Lima, chosen to focus particularly on the past 25 years while also including the iconic early works, offering visitors a rare insight into his creative universe, spanning seven decades. 

Again, we are not partial to crowds, and can offer VIP Exclusive Access.

Paris Art is Always a Good Idea. Two Celebration’s – Spring into Summer.

Think late spring and try to avoid summer for these two exhibitions. The exhibition, Sheer: The diaphanous creations of Yves Saint Laurent will be on display at the Musée Yves Saint Laurent Paris. Dates: February 9 to to 25 August 2024. It will be the second chapter of a story that began last summer at the Museum of Lace and Fashion in Calais.

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The Musée Yves Saint Laurent Paris invited the curator Anne Dressen to be its artistic advisor; she will focus on transparency as a chosen artistic expression of Yves Saint Laurent. The exhibition has been designed by the architect Pauline Marchetti, whose work explores the intersection of perception and space.

Few articles of clothing are entirely transparent. In theory, transparency is incompatible with the very function of clothing, which is to cover the body, conceal or protect it. Intrigued by this contradiction, and by the powerful role diaphanous fabrics could play in his work, Yves Saint Laurent began using materials such as chiffon, lace and tulle in the 1960s. Like a leitmotif, he regularly employed transparency during his forty creative years, at times alongside embroidered or opaque fabrics. He daringly reconciled these contradictions, allowing women to proudly and boldly assert their bodies. 1966 announced the start of the sexual revolution of 1968. The female body was gradually revealed. Rudi Gernreich designed the first monokini in 1964. In 1966, Yves Saint Laurent made the female chest visible with his first sheer look, which he subtly covered with see-through cigaline. The nude look was born. In 1968, Saint Laurent designed the most emblematic example of this: a completely transparent chiffon dress with a belt made of ostrich feathers.

March 26 to July 14, 2024. The Musée d’Orsay Celebrates 150 years of Impressionism. Paris 1874.
Inventing impressionism 150 years ago, on April 15, 1874, the first impressionist exhibition opened in Paris. “Hungry for independence”, Monet, Renoir, Degas, Morisot, Pissarro, Sisley and Cézanne finally decided to free themselves from the rules by holding their own exhibition, outside official channels: impressionism was born. To celebrate this anniversary, Musée d’Orsay is presenting some 130 works and bringing a fresh eye to bear on this key date, regarded as the day that launched the avant-gardes.